ACHIM DUCHOW

ACHIM DUCHOW

ACHIM DUCHOW

ACHIM DUCHOW

ACHIM DUCHOW

b. 1948 in Otterndorf, DE – 1993 in Düsseldorf, DE

b. 1948 in Otterndorf, DE – 1993 in Düsseldorf, DE

b. 1948 in Otterndorf, DE – 1993 in Düsseldorf, DE

b. 1948 in Otterndorf, DE – 1993 in Düsseldorf, DE

b. 1948 in Otterndorf, DE – 1993 in Düsseldorf, DE

O.T.-Lipstick

ACHIM DUCHOW
O.T. (LIPSTICK), 1989
Acrylics on cardboard, 100 x 70 cm 

ACHIM DUCHOW
O.T. (LIPSTICK), 1989
Acrylics on cardboard,
100 x 70 cm 


ACHIM DUCHOW
O.T. (LIPSTICK), 1989
Acrylics on cardboard, 100 x 70 cm 

ACHIM DUCHOW
O.T. (LIPSTICK), 1989
Acrylics on cardboard, 100 x 70 cm

Achim Duchow, 1991, Frühstück bei Tiffany,Mixed media on paper & canvas, 270 x 270 cm

ACHIM DUCHOW
FRÜHSTÜCK BY TIFFANY, 1991
Mixed media on paper & canvas,
270 x 270 cm 

ACHIM DUCHOW
FRÜHSTÜCK BY TIFFANY, 1991
Mixed media on paper & canvas,
270 x 270 cm 

ACHIM DUCHOW
FRÜHSTÜCK BY TIFFANY, 1991
Mixed media on paper & canvas,
270 x 270 cm 

ACHIM DUCHOW
FRÜHSTÜCK BY TIFFANY, 1991
Mixed media on paper & canvas,
270 x 270 cm

Achim Duchow, 1972, Exzessive-Kreativität, Mixed media on paper and canvas, 176 x 129 cm

ACHIM DUCHOW
EXZESSIVE KREATIVITÄT, 1972
Mixed media on paper & canvas, 176 x 129 cm 

ACHIM DUCHOW
EXZESSIVE KREATIVITÄT, 1972
Mixed media on paper & canvas, 176 x 129 cm 

ACHIM DUCHOW
EXZESSIVE KREATIVITÄT, 1972
Mixed media on paper & canvas, 176 x 129 cm 
ACHIM DUCHOW
EXZESSIVE KREATIVITÄT, 1972

Mixed media on paper & canvas, 176 x 129 cm
Achim Duchow, 1991, Irgendwo in Japan, Mixed media on canvas, 40 x 30 cm

ACHIM DUCHOW
IRGENDWO IN JAPAN, 1991
Mixed media on canvas, 40 x 30 cm

ACHIM DUCHOW
IRGENDWO IN JAPAN, 1991
Mixed media on canvas, 40 x 30 cm

ACHIM DUCHOW
IRGENDWO IN JAPAN, 1991
Mixed media on canvas, 40 x 30 cm
ACHIM DUCHOW
IRGENDWO IN JAPAN, 1991

Mixed media on canvas, 40 x 30 cm

ACHIM DUCHOW

Known for his multifaced relation with artistic practices, Achim Duchow always aimed towards an ironic representation. Whether political or socio-critical issues, all were processed through his art. On a meta-dimension, Achim Duchow’s artworks play with different structures made of mixed media and complementary colours that come together into one work. The visual and emotional irritation turn quickly into understanding Duchow’s message, which breaks artistic traditions to visualize various problems within a society. As a photographer, Duchow’s work focuses on a documentary approach. He preferred deeper researches and experiences, as seen in his Japan trip “In search of Japan”.

In the 1970's Achim Duchow (1948-1993) was a student at the HbK art academy in Hamburg. Legendary exhibitions like the ones at the Westfälischen Kunstverein in Münster (1973), the Kunstverein Kiel (1975), the Biennale in Sao Paulo (1975) and the Kasseler Kunstverein (1977) show the very effective collaborations with institutions. In Willich, a small and creative town near Düsseldorf, where Duchow and Polke lived and worked temporarily, a productive atmosphere dominated amongst excessive parties and a provocative socio-critical irony. This sentiment of the late 1970's is represented humorously in the artist’s experimental painting. Thus, pop and politics, caricatural figures and dizzy paintings are recurrent and merge into an arousing amalgam.

ACHIM DUCHOW

Known for his multifaced relation with artistic practices, Achim Duchow always aimed towards an ironic representation. Whether political or socio-critical issues, all were processed through his art. On a meta-dimension, Achim Duchow’s artworks play with different structures made of mixed media and complementary colours that come together into one work. The visual and emotional irritation turn quickly into understanding Duchow’s message, which breaks artistic traditions to visualize various problems within a society. As a photographer, Duchow’s work focuses on a documentary approach. He preferred deeper researches and experiences, as seen in his Japan trip “In search of Japan”.

In the 1970's Achim Duchow (1948-1993) was a student at the HbK art academy in Hamburg. Legendary exhibitions like the ones at the Westfälischen Kunstverein in Münster (1973), the Kunstverein Kiel (1975), the Biennale in Sao Paulo (1975) and the Kasseler Kunstverein (1977) show the very effective collaborations with institutions. In Willich, a small and creative town near Düsseldorf, where Duchow and Polke lived and worked temporarily, a productive atmosphere dominated amongst excessive parties and a provocative socio-critical irony. This sentiment of the late 1970's is represented humorously in the artist’s experimental painting. Thus, pop and politics, caricatural figures and dizzy paintings are recurrent and merge into an arousing amalgam.

ACHIM DUCHOW

Known for his multifaced relation with artistic practices, Achim Duchow always aimed towards an ironic representation. Whether political or socio-critical issues, all were processed through his art. On a meta-dimension, Achim Duchow’s artworks play with different structures made of mixed media and complementary colours that come together into one work. The visual and emotional irritation turn quickly into understanding Duchow’s message, which breaks artistic traditions to visualize various problems within a society. As a photographer, Duchow’s work focuses on a documentary approach. He preferred deeper researches and experiences, as seen in his Japan trip “In search of Japan”.

In the 1970's Achim Duchow (1948-1993) was a student at the HbK art academy in Hamburg. Legendary exhibitions like the ones at the Westfälischen Kunstverein in Münster (1973), the Kunstverein Kiel (1975), the Biennale in Sao Paulo (1975) and the Kasseler Kunstverein (1977) show the very effective collaborations with institutions. In Willich, a small and creative town near Düsseldorf, where Duchow and Polke lived and worked temporarily, a productive atmosphere dominated amongst excessive parties and a provocative socio-critical irony. This sentiment of the late 1970's is represented humorously in the artist’s experimental painting. Thus, pop and politics, caricatural figures and dizzy paintings are recurrent and merge into an arousing amalgam.

ACHIM DUCHOW

Known for his multifaced relation with artistic practices, Achim Duchow always aimed towards an ironic representation. Whether political or socio-critical issues, all were processed through his art. On a meta-dimension, Achim Duchow’s artworks play with different structures made of mixed media and complementary colours that come together into one work. The visual and emotional irritation turn quickly into understanding Duchow’s message, which breaks artistic traditions to visualize various problems within a society. As a photographer, Duchow’s work focuses on a documentary approach. He preferred deeper researches and experiences, as seen in his Japan trip “In search of Japan”.

In the 1970's Achim Duchow (1948-1993) was a student at the HbK art academy in Hamburg. Legendary exhibitions like the ones at the Westfälischen Kunstverein in Münster (1973), the Kunstverein Kiel (1975), the Biennale in Sao Paulo (1975) and the Kasseler Kunstverein (1977) show the very effective collaborations with institutions. In Willich, a small and creative town near Düsseldorf, where Duchow and Polke lived and worked temporarily, a productive atmosphere dominated amongst excessive parties and a provocative socio-critical irony. This sentiment of the late 1970's is represented humorously in the artist’s experimental painting. Thus, pop and politics, caricatural figures and dizzy paintings are recurrent and merge into an arousing amalgam.

ACHIM DUCHOW

Known for his multifaced relation with artistic practices, Achim Duchow always aimed towards an ironic representation. Whether political or socio-critical issues, all were processed through his art. On a meta-dimension, Achim Duchow’s artworks play with different structures made of mixed media and complementary colours that come together into one work. The visual and emotional irritation turn quickly into understanding Duchow’s message, which breaks artistic traditions to visualize various problems within a society. As a photographer, Duchow’s work focuses on a documentary approach. He preferred deeper researches and experiences, as seen in his Japan trip “In search of Japan”.

In the 1970's Achim Duchow (1948-1993) was a student at the HbK art academy in Hamburg. Legendary exhibitions like the ones at the Westfälischen Kunstverein in Münster (1973), the Kunstverein Kiel (1975), the Biennale in Sao Paulo (1975) and the Kasseler Kunstverein (1977) show the very effective collaborations with institutions. In Willich, a small and creative town near Düsseldorf, where Duchow and Polke lived and worked temporarily, a productive atmosphere dominated amongst excessive parties and a provocative socio-critical irony. This sentiment of the late 1970's is represented humorously in the artist’s experimental painting. Thus, pop and politics, caricatural figures and dizzy paintings are recurrent and merge into an arousing amalgam.

Königsallee 27 & 31
40212 Düsseldorf, Germany

Königsallee 27 & 31 

40212 Düsseldorf, Germany

Königsallee 27 & 31 

40212 Düsseldorf, Germany

+49 (0)211 82827171
info(at)setareh-gallery.com

Opening hours
Mon–Fri: 10am–7pm, Sat: 10am - 6pm

Opening hours 

Mon–Fri: 10am–7pm,
Sat: 10am - 6pm